Jim Rendall is 6 when his family gets killed. 25 years later he finds out why.

Jim Rendall is 6 when his family gets killed. 25 years later he finds out why.

A nasty "businessman" strives to get a deal back on track after an archaeologist removes a computer chip from an artifact before it is stolen.

A nasty "businessman" strives to get a deal back on track after an archaeologist removes a computer chip from an artifact before it is stolen.

The Delphi Bureau is a top-secret spy cadre answerable only to the U.S. president. The organization may have just one field operative, a supposed researcher named Glenn Garth Gregory. He gets his orders from an in-the-know Washington, D.C. socialite, and he relies on a resource that makes him a one-of-a-kind asset: his photographic memory. This adventure-packed, tongue-in-cheek pilot sets the pace and style for the 1972-73 series it launched. In it, Gregory sets out to find who's behind the disappearance of jets, tanks and other surplus weaponry. He'll be variously hunted by an assassin, tossed in jail for murder, half-buried inside a grain elevator and forced to cling to the undercarriage of a tractor while the driver tries to shred him under its tilling blades. One breathless escape after another invariably seems to land our hero in another jam.

Memorably set between the two world wars, this adaptation of Trevor Nunn's award-winning 1999 Royal National Theatre production of The Merchant of Venice features a superlative performance from Henry Goodman as Shylock.

An Edwardian take on the Shakespeare play starring Laurence Olivier.

Director Abigail Graham’s contemporary take on The Merchant of Venice shows Shakespeare’s disturbing tale in a new light. Shylock (Adrian Schiller) and Jessica (Eleanor Wyld) reclaim their stories in Shakespeare's Globe's ‘heart-wrenching’ (The Guardian) 2021 production, played by candlelight and filmed live in the Sam Wanamaker Playhouse.

A BBC schools programme broadcast about Tom Stoppard’s abridged version of the play which was performed by the National Youth Theatre at the Royal Opera House in London. The televised recording of the performance is preceded by comments on the work in progress from stage director Paul Roseby and writer Tom Stoppard. Jeremy Irons, who played Antonio in the film version of The Merchant of Venice (2004), comments on the merits of producing a play with young actors.

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